Sunday, 21 September 2014

'The Events' - Play review

The Nuffield Theatre in Southampton is my 'home' theatre. I come from the Isle of Wight, but I've been going there to see plays since I first had an interest in theatre, and I have never been disappointed with what I've seen there. It's such an amazing theatre which always seems to attract such astounding shows - so when I heard there was a lot of fervour about 'The Events', which had won the Guardian's 'Best Theatre of 2013' and was coming to the Nuffield, I knew I had to see it.
I felt emotionally challenged by it. The play uses a different local choir in every night of the show, so the cast of two are greatly outnumbered by people who aren't actors but are encouraged by the script to take an active role in the action. This strange fusion of 'unpolished' and 'appropriate' just made the events more raw - this is a play about real, ordinary people. People who aren't actors, who don't know how to stand up on a stage in front of 70 people anymore than they would know what to do if a white extremist walked into their choir rehearsal with a gun. You are watching people who have been taken out of their normal routine and made to do something they aren't suited to - the Nuffield Fringe Choir being made to participate in the dialogue on stage are like the actual choir in the story being encouraged to talk about the horror they'd witnessed.
A particular moment of this which stood out to me, and still stands out to me the day after, is a man coming out of the choir with his script to tell Claire that he doesn't want to do the choir anymore. To you and me, he is anonymous. I have never seen him before, he is a shy man whose name I will never know - he is, to me, a nobody. And yet here he is centre stage, Claire has just collapsed with grief, he picks up his script and leaves the choir and suddenly he is part of this action, with a little microphone. In a quiet expressionless voice, a voice which sounded to me like it was genuinely reading the words on the page for the first time in his life, 'Claire, we don't want to do choir anymore'. A pause. 'It isn't fun'. Another pause. 'It's depressing. We like singing pop songs… and hymns.'
I know I should probably be talking about the actors in this review, but to me it was the choir of non-actors whose presence affected me the most.
Speaking of the choir, the music was beautiful. I think everyone in the audience was surprised when a play about a mass shooting started with a jolly choral rendition of 'Do You Hear The People Sing' from Les Mis, but it was lovely. I hugely admire Magnus Gilljam, listed in the programme as the 'pianist' - I assume he also wrote the music arrangements. He was never present in the action, more he conduct the choir into the events. The beautiful simplicity of the music and the playful piano parts jarred against the horror of the events, I imagine it as some metaphor for how the music was supposed to bring them together. I was always aware of Gilljam, half of my mind or the corner of my eye kept watching him though the action, how through a very fraud and emotional scene he would calmly gesture to the choir to stand or sit or hum or sing and mouth along with them to keep them in time together. I don't know why, but I kind of imagined him as music itself. An image which was shattered by his modest shrug in the bows, but a beautiful image while it lasted.
Before 'The Events' started. Those stairs are where the choir spent most of their time sat, and the piano got swivelled round 90 degrees anticlockwise to face the opposite side of the stage.
Derbhle Crotty played the main character, Claire, the leader of a multicultural choir group at a community centre on the side of a community centre. An unknown time ago, a crazed boy, a white supremacist, practised an ancient Viking ritual used to turn oneself into a berserker, got a gun and walked into the choir, shooting people to the very last bullet (which, it turns out, was almost for Claire). She did an excellent job of playing Claire, portraying not the emotions I would have expected from a victim of such trauma, but which seemed so very real given the circumstances.
The acting from Clifford Samuel ('The Boy' in the programme) was astounding. He seemed to truly transcend any singular aspects of class, gender, sex or race. He would just be going through a scene and I wouldn't be entirely aware of who he was, and then Claire would mention his name and I'd review everything I'd just seen and think 'oh of course he's a woman', 'oh of course he's a white supremacist'. He must have played at least 10 different characters, incredibly subtly, but as soon as I was aware of who he was supposed to be playing I got it from him straight away. My favourite scene of everything which involved Clifford Samuel and Derbhle Crotty was Claire's attempted suicide. The scene changed and I had no idea where we were. Samuel played an anonymous stranger talking to her nicely about how nice the view is, asking for her name and if he can hold her hand. Only when he grips her by the forearm instead and leans his body weight away from her did I realise we're on the edge of the cliff - and 'oh of course we're on the edge of a cliff'.
I think the most effective/affective/soul-destroying element of 'The Events' was that, it never was so lazy as to blurt things in your face, everything was a slow realisation. A slow realisation which suddenly kicks you in the gut.
A bit odd in a review about a play such as this to talk about the lighting, especially since I'm an actor and don't know two shits about lighting, but something about the lighting is it was never definite when we left the theatre and moved to the play and when we came back again. The house lights were all still up when the choir came on stage and never went out, just faded out slow through the first few scenes. At first these are two actors on stage and this is a choir from Southampton, and I don't know at which point I was suddenly very sure that this was no longer a choir of people I knew but a choir from a totally different place. Again, at the end, in the last rehearsal of the choir I became aware of the houselights coming up, and when Crotty came out of character to congratulate the Southampton Fringe Choir we were back in Southampton. But did we leave? If so, when, and when did we come back?
The transcendence of this play are what made it so phenomenal to me. The shooter was never named, not the politician, the town where it happened, even the country. 'The Events' could have happened absolutely anywhere and it seemed to have happened right in the Nuffield Theatre, right in front of my eyes. I'm giving this play a 9/10.

Wednesday, 16 July 2014

Summer Plans

You, anonymous internet reader, may or may not have realised that I haven't posted any reviews of films from my college's library in the last few days. That'll be because I really rather stupidly didn't realise something about my college's library: not being able to access it when college is closed (i.e. in the summer holidays, now).

However! I do have something else to watch over the summer - that being my recently expanded collection of Doctor Who DVDs!


I've had season 1 and 2 since about January I think, and watched them all, but season 3 and 4 and the Specials I got after building a computer for my Dad with my brother (aren't we smart). I figured with this mini-project a few handy things:
- I got them all in Italian with Italian audio and Italian subtitles. There isn't much Italian I can absorb when I'm not at college so this is perfect and should keep my language-brain going over the time off. (unfortunately I won't be able to include quote in reviews)
- Doctor Who is still drama and acting so I can still write reviews of it - not sure if I'll do each episode or as seasons (probably the former) but there's still content I can create for UABP.
-I FREAKING LOVE DOCTOR WHO. If you don't know me personally you may not understand that but, ahem, it is something of a passion of mine.

Friday, 9 May 2014

'Shards'

When somebody sends you a song,
They send you a shard of their soul.

They tell you:
Which sounds set their scalp ablaze
Or makes their fingertips cold

They tell you:
A direction their heart wants to take
A problem that they need to solve

They tell you:
A sense of a world they want back
Until a chord is resolved

But then ask:
Is it musical Poetry that heals the heart

Or the beautiful nature of Noise?

Saturday, 14 December 2013

Own Hands


“Friend,” I said as I spotted John, as a greeting. I had just stepped out of the door after walking up a short flight of stairs on floor one hundred and thirty to get onto the roof.
John was my best friend in the whole world, as well as my lover, so I always greeted him as such if I’d been away for a while. We’d fallen in love together and after being married for over two hundred and fifty years we’d been through a lot together. Now he was stood on the ledge of the roof of our home of the past fifty-or-so-years, he looking just as handsome and youthful as when I first met him and fell in love.
We were high-school footballers back then, we joke to this day that it’s impossible to kiss with a helmet on. We met after a match where my team beat his so badly, and I was so funny with him when we met afterwards that even though he lived in another city he asked me on a date. New York and Los Angeles were only five or ten minutes on the train, so I went to him, just a little cafe near his home in LA, and so even until we left college and move together we weren’t that far apart.
He had his back to me when I walked up the stairs but turned when he heard my voice. My heart stopped as he turned, and I realised he was right on the edge of the roof. He had a strong face, and he hadn’t been shaving whilst I was away, which further defined his jaw with dark stubble, but it was also not strong - I could see his hair was a mess from where he’d been tugging at it and his grey-blue eyes were red-rimmed.
“Ben,” He smiled, and then sniffed “How was the operation?”
A few weeks ago I’d fallen three stories from my post van and landed badly on my arm. It was a miracle that I’d come out of the accident so well, but the arm I landed on was so badly broken that the doctors decided to grow me a new one instead of waiting to see if it healed alright, so I’d had to go up to a surgery in the metropolis to get the old arm removed and the new one attached.
I lifted my new arm and waved at John with my new fingers, wriggling them about a bit. I didn't know what John was doing there, on the ledge, he'd never done it before. There was a note on the table when I got in, 'On the roof', it said. I didn't know what he was doing, but I wanted to get him down. I had to be careful though, because I wanted him to come down towards me instead of falling down behind him, all one hundred and thirty stories down to the pavement.
“Works fine,” I said, and took two slow, tentative  paces towards John.
It was nighttime and the stars were all very bright from the rooftop space. The space was about the size of a football pitch (the building tapered towards the top so as to be architecturally appealing, it was much wider at the base), with an area in the middle given over to a few allotments and a sitting area with some trees and a pretty little stream, a children’s play park. The breeze was slight at one hundred and thirty stories up, but even so the swings creaked as they were blown slightly to and fro.
“Will you come on the ledge with me?”
“No John, why don’t you come down here with me?” and took a few more steps tentatively closer.
John dragged one hand through his hair, wiped his right eye with the other and took an unsteady step backwards, perilously closer to the edge.
“Why is it always when you’re away, Ben?”
It was always when I was away, I'd come back and he'd be like this, hair a mess and eyes red, mad. I tried phoning as much as possible when I had to go away, but it made no difference when I got back. It hurt me every time to see him like it.
“I don’t know, I can’t be here all the time, I'm sorry. And it isn’t always, it isn't always bad, and I’m here now, everything’s fine. Come back here to me.”
I didn’t know what he was doing on the ledge, but if he wasn’t careful he was going to fall. I took another step forwards, just one this time, in case he backed away again.
And then I saw, in a glint of starlight, something I hadn’t seen in an awfully long time – a gun, lying on its side at the bottom of the ledge. I presumed it to be a gun, but I couldn’t quite remember what they looked like, it’d been two hundred and thirty years since I’d really seen one last, there was no use for them anymore.
We waited through high school and college, John and I, faithful as mated swans. We sent messages and letters in the term time when the trans-continental bullet-trains were too expensive for students, and saw each other at summer, Christmas and semester break. We both graduated within a year of each other, I in business and he in social science, and, after three years of living together in New York City, we got married at a church near my family’s old ranch-house upstate - beautiful natural upstate New York, a few miles down-stream on the Niagara River from the famous falls themselves. We honeymooned in India, and had the time of our life. When we came back, aged twenty-six, the governments of the west were just instituting compulsory immortality. We found out the news the moment we got off the plane and right there in the airport we cried with happiness and hugged. We were going to spend our forever together.
“I don’t want to come down,” He said, and let out a breath that had obviously been held for a long time because it became slightly raggedy towards the end “It’s cool on the edge here, with the wind. You’d like it.”
I tried to ignore the gun for the moment – I didn't even know what it was doing there or what purpose it could be there for – it was out of John’s reach for the moment, and I had to get him back down: if he fell he could be a long time in hospital and the fees could mean we had to come out of retirement for longer.
“I wouldn’t like it, I don’t like heights, you know I just had an operation. I’d prefer it if you came here and give me big hug.”
“I love you Ben.”
They did it. Over two hundred years ago they finally did it, they finally worked out how to stop people dying. You just live forever, and you don’t go through any of the degeneration associated with age: you really live forever. And you don't just live forever – you don't die. You can't die. Impervious to disease, recovering from any injury, surviving any wound. I try and try to forgive myself for not thinking anything of the gun or the ledge, having no reaction, not realising that it meant danger... to me it didn't.
All the same, ignorance is no consolation.
The surgery’s cheap, free even, so to ensure equality everyone had to have it, hence 'compulsory' immortality.
Some people resisted, religious groups and hippies as far as I remember, the 'mortals' we called them, and ignored them. They’re long gone two hundred and fifty years later, the cult of mortality died in the first generation, because their children wanted to live forever just like everyone else.
John and I didn’t have any objections. We had beds side-by-side at the hospital. John had his operation slightly before mine. When I woke up I felt so alive, I almost took the drip out of my arm myself, not realising it was still infusing my blood with the operation's vital solution. I just wanted to run out of the hospital and sprint to Japan or fly to the moon or write a symphony or learn a language, I was bursting with life. I was just fiddling with the needle when John, lying next to me, caught my eye and winked. He probably saved my life then, in a subtle way. I remember his words, I have them tattooed on my memory – Wait, sweetie, we have enough time for that. We have enough time for everything.
“I love you too. Right from the start – my John. I’ll keep you safe. Come here, I’ll give you a hug.”
“I want to die, Ben.” and a tear appeared for a second before getting lost in his stubble.
There was something wrong with John. Not as a person, I loved him then, as I love him now and as I loved him ever, but there was something wrong with his head. Something that came out of genes when he was forty, and the doctors thought they’d cured, but came back when he was a hundred and twenty and lurked in his skull ever since. If I went away I’d come back and he’d be like this, he’d been tugging his hair, forgetting to shave or eat or sleep, or just not sleeping because he’d been crying about nothing. I’d come home after visiting my parents (say he was off retirement or couldn’t come) and hug him and we’d watch a movie and I’d tell him I’m still here and then cuddle the night, and by the time we wake up he’d have stopped shivering. But it was just the same next time I came back.
It lurked in his skull and it showed through his eyes sometimes when it came out. It took over him and I'd learnt to recognise the madness in his eyes, the darkness that, for no reason other than to have something to hate, made him hate himself and his world. He said that when it happened, when he felt like that, his vision, the world, it was so sharp, the lines, he said he felt like he could cut glass with his mind just by looking at it.
It was sharp enough to cut me when he looked at me like that.
“You can’t die. You can’t, it’s not possible… and you can’t, I need you.”
“Who says I can’t?” his voice wasn’t angry, he was just asking a question.
“Your body, remember? It’s a long time ago but I still remember, remember what you said? ‘We have enough time for everything’, because of that day.”
“No.” He said simply, and then jumped down from the ledge onto the roof and apparent safety. But I was still afraid, because though he was away from the edge, that look in his eyes, the inflection revealing that something in his head was very dark and very much at odds with the person whose head it was, was still there, trying to cut his world in half.
“I know you want me to stay, but it’s hurting me, Ben. I can’t cope with all this. Existing forever, I can’t do it, don’t you think I’ve had enough time?”
I stared at him without replying, because the shock was hitting me. Was that why he was stood on the ledge? He was mad, madder than I'd known him before, that was insane thinking: people have fallen from higher places and survived, he knew that. He had to have known that. The concept of dying died out while we were in our nineties. We were well into our two hundreds now, and things had changed since then. Death as a subject was taboo – illegal, even, in the correct circumstances. Normally ‘life-threatening’ surgery would get you a stay in a prison-hospital to remind you not to do it again, and no one talked about it anymore.
I’d been alive so long, I couldn’t even remember how people died, the idea was ridiculous. Drowning? You get your lungs pumped. Burning? Grow some new skin. Cancer? I can’t even remember what that is. I knew it was deadly back when, but there wasn’t any information about it at the library, that’s assuming I was even looking.
And here he was, my John, for the first time in two hundred and thirty years, talking about death. And not like we would back then, like we had so much to do before it happened, a way which infused him with life and energy because he knew he had a deadline. No, this was a new way that frightened me because I’d never heard it before – like it was something he wanted to happen to him.
Maybe I’d just been away at the wrong time. This was a stressful time, we were six months into our non-retired cycle, and the strains of the knowledge that you had another fifty-odd years of work before you retired again were showing on everyone our age, and this was the first time I'd left John alone this cycle. I'd been careful of it, I made sure this time.
But since I had been with him all the time for the past six months – no.
Maybe he’d been thinking about all this when I was with him, and when I’d went away it had all caught up on him and that’s why we were where we were. A wave of helplessness surged over me and I let out a sob and covered my eyes with my hand.
“It’s alright Ben, I’m here.”
There he was comforting me. I removed my hand to look at him and then I was terrified again. The look in his eye had gone. He was John again, my John. The monster in his head had gone away, he was my John again, and yet he hadn't taken back what he'd said just a few minutes ago.
“You can’t die!” I repeated, and John smiled softly.
His eyes were losing their redness and he wiped a hand over his hair to tidy it a little. The crazy man about to hurt himself on a ledge was turning into my John and I loved him and I didn’t want him to die even if he wanted to prove that he could.
“Do you know where I got a job?”
“The Citizen’s Logistics Department. Six months ago. All your people stuff I don’t understand. John, please!”
“Do you know where I really got a job?”
I swallowed a word and I don’t know what it was, the start of a sentence which got eaten by fear and surprise. “No.”
“A prison hospital.” John hadn’t moved from where he was but his face had opened up, and he seemed a lot closer to me. “We aren’t invalid, we never will be, but my degree isn’t worth what it was. Everyone lives forever, nothing changes, social science is… worked out. We know how people work now. I’m a guard, Ben, a warden in a prison hospital, and I never told you because I’m embarrassed.”
“That’s alright. You’re telling me now, I don’t mind if you lied. Come back. Come back inside.” This all came out very quickly, a rush of urgent words, and when I finished I whipped around my right shoulder desperately pointing behind me to the door with the stairs back to reality. But when I turned around John hadn't moved.
John heard those words, but knew that I knew that he wasn’t coming inside just yet. He was telling me something and it was important.
“Embarrassed, yes, but ashamed. Ben I’ve seen horrible things in there. I’m on top floor. The worst cases. God, Ben it’s awful, it’s hell. People who’ve fallen out of space planes, caught in explosions, things like that, but they’re still alive. We have to watch them heal,” John swallowed as if he were about to be sick “Push their bones and muscles around so they get built back in the right place. It’s a nightmare. But that’s not the worst bit. They have a room worse than the rest. God, Ben I should be telling everyone. But it’s all kept tight, if we told anyone it’d happen to us.”
John took a sudden deep breath, his chest heaving. The look returned to his eyes, he was terrified and suddenly very animated. “I should tell everyone, get it out! If they know then…” He visibly sagged “No, I’m the only one aren’t I?”
“The only one?” I implored, desperately.
John fixated on me despairingly for a second, wondering how he could explain what it was he needed to explain. Then he froze, remembering something. He looked around us furtively, suddenly tense, then dipped down to his haunches.
Then did the worst thing he could possibly have done – reaching around behind himself to pick up the gun lying on the roof by the bottom of the ledge. It was then, when he brought it out into the light and closer to eye level, that I realized it only looked like a gun. I couldn’t quite remember what a gun looked like, but this was definitely something that looked like one and not an actual one. It had something to hold it by, but there were two of them, one in front of the other, and there was a button between the two. What should have been the barrel was cylindrical instead of boxy, and instead of a hole at the firing end there was a cup-shaped apparatus made of silicon, about as big as a hand. John held out the gun for me to inspect for a second, then dropped his arms, cradling the thing at his hips, the silicon bit pointing away to his left so it wasn’t directed at either of us.
“It’s got to do with this, this thing. I stole it last night, from the prison, top floor. Ben I… I want to kill myself.”
“You what?!” I didn’t mean to shout, I wasn’t angry – of course I wasn’t angry. It was alarming and stupid and scary and impossible and I couldn’t do anything other than shout, “Kill yourself?” What does that mean?! “What are you talking about? How can you? How could you?”
The concept was so alien to me I had no idea how to react. I regret that I couldn’t have said something better, or acted in a certain way, but I had no idea. In two hundred years I hadn’t heard of something so ridiculous.
“They have this room you see,” John snapped his head left and right, like a twitch, as if afraid someone might be listening in, “It’s the worst room. Because it’s where the worst people go. It’s against all the rules and all the laws and all the regulations but the wardens there call them ‘the dead’. It’s because of the policy, the next bit – every single one of them, after they go through the pain of coming back from the dead, we put to death… we kill them, with one of these,” and he shook the gun in his arms to indicate he was referring to it.
I didn’t offer any reply straight away, I just stood very still. My lovely John was holding in his hands something impossible yet real, something with the ability to end a life.
“But it’s against the law,” came my feeble defence, “You said people go in that room because they almost died, and then they’re killed, that’s because it’s against the law right? You can’t do it then.”
“That’s wrong, Ben. They shouldn’t have the power to stop me dying. They don’t. I have this,” again, he indicated the gun. He was smiling faintly now. He moved closer to me until there was only the gun between us, like we were neighbors talking over a fence. His voice grew softer now he was closer. “Most of the people in there… they’re mad. They’re actually getting punished, because they’re thinking mad things. They don’t want to live forever, they want to die, they’ve had enough. I have to talk to them, Ben, when I do my job, some of them have been there a while, they get to talk amongst themselves. There's a word for it, what they do, it's called suicide. I asked the chief what it means and I got a strike on my record just like that.
"But they’re all just like me. Life isn’t particularly bad, no, it’s good when I’m with you, and I love you, but there’s just too much. I’m not bored or fed up, but I want an end, y’know?”
I slapped him, kissed him violently and then started running away, tears streaming in denial like a little girl, but he caught my hand and turned me around.
“I need you to know I’m saying goodbye, Ben, and I don’t want you to come with me.”
My mind had been whirring through his speech and at those words it stopped. The cogs in my mind had been gnashing at each other in every way had worn their teeth smooth and my mind could no longer turn.
“Okay.”
There was nothing I could say to keep my love alive.
He put down the gun and kissed me, tender and long. His lips were already cold and blue and when we pulled away his eyes were puffy and wet. He bit his lip, looked at the ground and swallowed.
“I’m going to need your help with this, it’s a two man job.”
I figured that crying is weakness and I figured I needed to be strong for John so I looked away then and rubbed my eyes a few times. Still, I had tears in my eyes when I turned back to look at him to ask, “How does it work?”
“The suction cup. Back of the head, it slips straight on. It reverses the operation. I won’t feel a thing. You just push the button.”
I flopped forwards onto him and he held me. “Shhhh… it’s alright.” I was properly crying then, a man in his two hundred and fifties broken at the thought of losing his immortal husband. The fear and guilt and sadness and loss hung like deep black throes all around me, but in his arms I could see a shining nugget of golden light through it all – it’s what he wants. It was tiny though.
My body turned to steel and weighed a hundred times its ordinary weight.
“I don’t want to lose you John.”
“I don’t want to lose you Ben.”
“Then why are you leaving?”
“Because you can’t stand seeing me like this.”
“I can’t live without you.”
“You’ll live forever.”
“I love you.”
“I love you."
We paused after he said this, because I couldn't think of anything to say. I couldn't fit the billions of potential words together in any way in this short time, how could I possibly end two hundred and thirty years with any words more eloquent and wholesome than "I love you" and "Goodbye"?
John waited for a few seconds and the silence spoke my mind. Then, as all things must come to an end, he broke that silence
“Kill me Ben.”
At this he took my hand in his and kissed it, and since we were facing each other it reminded me of our wedding day, the golden sunlight came pouring through the church’s great windows and lit up his face, two hundred years younger and no less or more wonderful than it was that night.
“I do.”
He brought my hand down and walked me to the little park on the rooftop. The sunlight from the dream was still with me and it lit up the little stream in the little park iridescently and turned the grass and the leaves of the trees a rich emerald green in the faint starlight of the lonesome nighttime rooftop. The stream went over a number of pretty little cascades, and the tinkling of the water as it tumbled into itself sounded like a chorus of sopranos singing ‘Ave Maria’, John led us to the bench facing the stream.
Sometimes we went up there on that roof for a picnic if we couldn’t be bothered to go out. Our flat was near the middle of the building, so we could have gone to one of the other recreation areas the two storey tall ones, but there’s something special about the air up there, in the open, the freedom. Being so high up, you were in the sky, and all you could see for miles around were all the other shining white incredibly tall towers of the rest of the city. In the sunlight of my dream they glistened like candles.
John knelt down in a bed of daisies, which instantly became sweet smelling roses in my grief hallucination. He turned his upper body to face my while his lower body still faced the stream, his knees a pace away from the artificial bank.
“You remember that day, huh.” it was a statement not a question.
“Yeah.” Though I was used to the altitude, I was finding it hard to breath suddenly and my replies were sluggish, as though my mind, everything below my consciousness, was falling asleep from beneath me.
“When we got the operation? You remember what I said.”
“'Wait, sweetie, we have enough time for that'.”
“'We have enough time for everything',” he corrected – “Don’t you think he have?”
“Time?”
“Everything.”
“Oh.”
And we had. John and I, we’d visited every country on the planet in our time. We’d volunteered for innumerable charities (before poverty died out a hundred years ago), been to space once and loved for two hundred and thirty years.
I stood up involuntarily and went to stand behind John. He turned his upper body out to line up with his knees, out to face the stream. He had worked it out so that after getting the shot his head would land under the water, though I guessed by then that he’d be dead before he hit it.
I crouched down, turned his head by the chin and kissed him one more time. Then as I stood up again, picked up the gun and pushed the suction cup onto the back of his head. It fit perfectly.
“I love you Ben,” he said.
“I love you John,” I said.
“Goodbye.”
“Goodbye.”
“I love you, goodbye.”
“Goodbye, I love you.”
“I’m happy.”
I couldn’t reply because a lump hit my throat and tears welled up. I cleared my throat, put one hand on John’s head a gently depressed the button on the gun. I looked up just in time to not miss the needle sliding through the silicon cup on his skull. John’s body didn’t tense up, it just relaxed completely.
“I’m happy too.”
And then the heavens erupted with a splash and all the light of my dream was sucked into the stream, blackened with his blood, and I folded from where I was standing, curled up like a baby in the daisy patch feeling no warmth beside me and the throes of darkness from before smothering any light in me.

Monday, 12 August 2013

The start of Under a Blue Pen (Again)

Hello there, my name is George...

...

HELLO THERE

There we are, apparently you have to shout to be heard on the internet.

Let me start again.

Hello there my name is George Alex Davies and if you follow this blog in chronological order you have in store many (as yet unwritten [but surely soon-to-be-written]) fantastic adventures and interesting stories. If you are a time-traveller I will try and accommodate you with an index page but do be warned that if you travel to before August 2013 you won't find any stories at all because I won't have published them yet. In fact, I'll only just be writing the message you're reading now.